SPACE NOISE: The Return of Makino Takashi
4148 NE Hancock St
- Work Stills:
About This Screening
“Makino Takashi’s immersive live media experiences are a transcendence into ‘physical unconsciousness.’ Hallucinatory and experiential, Makino creates abstract cinematic worlds immersing the viewer like a grain of emulsion free falling in the corporeality of image forming materials” (Unconscious Archives, London). Often described as being at the forefront of Japanese experimental filmmaking, Makino himself generally shies from the term “experimental.” Rather, his influences include the multiple exposure techniques of 1920s French Surrealist films and a near-death experience at the age of five during which he envisioned “a place filled with lights more brilliant than any image I had ever seen.” Makino’s work evolves as he attempts to find the ideal film, “an unshaped, organic, lump-like film that links with the consciousness and mental state of the viewers…and never ceases to change.” Cinema Project brings Makino to Portland for a two-night program showcasing his most recent moving-image work, including Space Noise 3D, a performance that pits pixels and film grain against one another with magical and chaotic results. This program is supported in part by The Japan Foundation, Los Angeles
Program Details
October 14th
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Generator
Japan, 2011, HDVideo, color, sound, 19 min.
by Makino Takashi -
2012 3D
Japan, 2013, HDVideo, color, sound, 30 min.
by Makino Takashi
October 15th
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Article Left by the Departed
Japan, 2013, HDVideo, color, sound, 8 min.
by Makino Takashi -
Ghost of OT301
Japan/EU, 2014, HDVideo, color, sound, 9 min.
by Makino Takashi -
Wordless in Woods
Japan/US, 2014, HDVideo, color, sound, 3.5 min.
by Makino Takashi
Screenings This Season
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Sep. 15
In Favor of Skepticism Sep. 24
Fundraiser Party! Sep. 29 + Sep. 29
A Maya Deren Double Feature Oct. 14 + 15
SPACE NOISE: The Return of Makino Takashi Oct. 27 + 28
(Un) Fixed Terra Firma Nov. 19 + Nov. 20
Trance and Travel: The Work of Ben Russell Dec. 18
Mike Henderson: The Blues and The Abstract Truth