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  • Cinema Project - Inner Space & Outer Space: 16mm Experimental Films from Los Angeles

    Inner Space & Outer Space: 16mm Experimental Films from Los Angeles

    Mar. 12 + 13 - 7:00 pm
    $7 Suggested Donation
    Curator in Attendance
    Hollywood Theatre
    4122 NE Sandy Blvd
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    About This Screening


    From the Academy Film Archive in LA, Cinema Project is excited to bring curator and archivist Mark Toscano for two evenings of rare and classic psychedelic and experimental film. With the film industry and three major film schools (USC, UCLA, and Cal Arts) all within the city's reach, LA experimentalists had more than the usual level of access to the kind of filmmaking equipment that made highly expressive and transformative image-making possible. Spanning just over a decade of work, from 1965 to 1977, night one's program starts by looking inward with intense, ethereal, and abstract films that are meant to evoke a hallucinogenic drug trip, including pieces from Chick Strand, James Whitney, and Pat O'Neill. Night two serves as a counter point, examining the surrounding Southern California environment, from forms found at Muscle Beach, to footage of car crashes, and super­markets, including work from Thom Andersen, Gary Beydler and more. Academy Film Archive is dedicated to the preservation, restoration, docu­mentation, exhibition, and study of motion pictures. Both nights will present work exclusively in 16mm, including some recent archival prints by AFA.

    Program Details


    March 12
    • Inner Space: Psychedelic Visions and Expanded Consciousness
    • Les angeS Dorment
      by Felix Venable
      1965, 16mm, color, sound, 9 min.
    • Lapis
      by James Whitney
      1966, 16mm, color, sound, 9min.
    • Waterfall
      by Chick Strand
      1967, 16mm, color, sound, 3 min.
    • Evolution of the Red Star
      by Adam Beckett
      1973, 16mm, color, sound, 7min.
    • Binary Bit Patterns
      by Michael Whitney
      1969, 16mm, color, 3min.
    • Terminal Self
      by John Whitney Jr.
      1971, 16mm, color, sound, 8min.
    • Coming Down
      by Pat O'Neill
      1968, 16mm, color, sound, 4min.
    • Pulse
      by Peter Spoecker/B.Y.M. Productions
      1969, 16mm, b&w, sound, 9min.
    • Aether
      by Daina Krumins
      1972, 16mm, color, sound, 4min.
    • Twelve (The First Three Parts...)
      by Beth Block
      1977, 16mm, color, sound, 9min.
    • Tanka
      by David Lebrun
      1976, 16mm, color, sound, 9min.
    • The Star Curtain Tantra
      by Peter Mays
      1969, 16mm, color, sound, 14min.
    March 13
    • Outer Space: Physical Graffitis and Geographies
    • Angel Blue Sweet Wings
      by Chick Strand
      1966, 16mm, color, sound, 3min.
    • By the Sea
      by Pat O'Neill & Robert Abel
      1963, 16mm, b&w, sound, 10min.
    • Throbs
      by Fred Worden
      1972, 16mm, color, sound, 7min.
    • Venusville
      by Chris Langdon & Fred Worden
      1973, 16mm, color, sound, 10min.
    • Hand Held Day
      by Gary Beydler
      1975, 16mm, color, silent, 5.5min.
    • Future Perfect
      by Roberta Friedman and Grahame Weinbren
      1978, 16mm, color, sound, 11min.
    • A Film for Log Hill Dogs
      by Diana Wilson & David Wilson
      1974, 16mm, color, silent, 2min.
    • Film for Log Hill Dogs: The Log Hill Story
      by Diana Wilson
      1976, 16mm, color, silent, 2min.
    • Shoppers Market
      by John Vicario
      1963, 16mm, color, sound, 22min.
    • --- -------
      by Thom Andersen & Malcolm Brodwick
      1966-67, 16mm, color, sound, 12min.

    © Cinema Project 2003 - 2016