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  • Cinema Project - Shoot Shoot Shoot

    Shoot Shoot Shoot

    Oct. 16 + 17 - 7:30 pm
    $6 Suggested Donation
    New American Art Union
    922 SE Ankeny St
    ...
    ...

    About This Screening


    The 1960s and 1970s were groundbreaking decades in which independent filmmakers challenged cinematic convention. In England, much of the innovation took place at the London Film-Makers' Co-operative, an artist-led organization that enabled filmmakers to control every aspect of the creative process. LFMC members conducted an investigation of celluloid that echoed contemporary developments in painting and sculpture. During this same period, British filmmakers also made significant innovations in the field of "expanded cinema", creating multi-screen projections, film environments and live performance pieces. The physical production of a film (its printing and processing) became integral to its form and content as Malcolm Le Grice, Lis Rhodes, Peter Gidal and others explored the material and mechanics of cinema, making radical new works that contributed to a new visual language. The London Film-Makers' Co-operative, established in 1966, grew from a film society at the heart of London’s sixties counterculture to become Europe's largest distributor of experimental cinema and was recognized internationally as a major centre for avant-garde film.

    Program Details


    October 16
    • Slides
      by Annabel Nicolson
      1970, 16mm, color, silent, 11 min.
    • At the Academy
      by Guy Sherwin
      1974, 16mm, b&w, sound, 5 min.
    • Shepherd's Bush
      by Mike Leggett
      1971, 16mm, b&w, sound, 15 min.
    • Film No. 1
      by David Crosswaite
      1971, 16mm, color, sound, 10 min.
    • Dresden Dynamo
      by Lis Rhodes
      1971, 16mm, color, sound, 5 min.
    • Versailles I & II
      by Chris Garratt
      1976, 16mm, b&w, sound, 11 min.
    • Silver Surfer
      by Mike Dunford
      1972, 16mm, b&w, sound, 15 min.
    • Footsteps
      by Marilyn Halford
      1974, 16mm, b&w, sound, 6 min.
    October 17
    • Thresholds
      by Malcolm Le Grice
      1972, 16mm, color, sound, 10 min.
    • Seven Days
      by Chris Welsby
      1974, 16mm, color, sound, 20 min.
    • Key
      by Peter Gidal
      1968, 16mm, color, sound, 10 min.
    • Moment
      by Stephen Dwoskin
      1968, 16mm, color, sound, 12 min.
    • Deck
      by Gill Eatherley
      1971, 16mm, color, sound, 13 min.
    • Colours of This Time
      by William Raban
      1972, 16mm, color, silent, 3 min.
    • Associations
      by John Smith
      1975, 16mm, color, sound, 7 min.

    © Cinema Project 2003 - 2016